But that appears not to be the case. Inhe founded The Show Window, the first journal ever devoted to decorating store windows, and in the same year as The Wonderful Wizard of Ozhe published The Art of Decorating Dry Goods Windows and Interiors, the first book on the subject.
So perhaps Baum was a closet Democrat in Aberdeen, forced to hide his true political feelings. Indeed, the record shows that Baum was neither. Geoffrey Seeley recast the story as an exercise in treachery, suggesting the supposed "Good Witch Glinda" used an innocent, ignorant patsy Dorothy to overthrow both her own sister witch Witch of the West and the Wizard of Oz, leaving herself as undisputed master of all four corners of Oz: However, there is no evidence that he purchased such an island, and no one has ever been able to find any island whose name even resembles Pedloe in that area.
And these, his conquerors, were marked in their dealings with his people by selfishness, falsehood and treachery. Friends and family members have attested to his penchant for jesting and playful dissimulation.
Given this, Littlefield's thesis still seems plausible. As a journalist and editor, he was familiar with the political events and controversies of the day, and he commented liberally on a number of them.
Would not the Populists have done likewise if Bryan had defeated McKinley and, presumably, slain the trusts? For a quarter of a century after its film debut, no one seemed to think otherwise.
Really the Last Word? What wonder that a fiery rage still burned within his breast and that he should seek every opportunity of obtaining vengeance upon his natural enemies.
The Scarecrow — the American farmer, who was often portrayed as illiterate and brain-dead by elite policymakers who feared their radical activism and support for Populist-style reforms. Baum was not a supporter of William Jennings Bryan, just the opposite. Dorothy and her house are swept up by the tornado and upon landing in Oz, the house falls on the Wicked Witch of the East, destroying the tyrant and freeing the ordinary people—little people or Munchkins.
Dorothy is swept away to a colorful land of unlimited resources that nevertheless has serious political problems. When Dorothy is taken to the Emerald Palace before her audience with the Wizard she is led through seven passages and up three flights of stairs, a subtle reference to the [ Coinage Act of ] which started the class conflict in America.
Following the road of gold leads eventually only to the Emerald City, which may symbolize the fraudulent world of greenback paper money that only pretends to have value, or may symbolize the greenback value that is placed on gold and for silver, possibly. The cyclone was used in the s as a metaphor for a political revolution that would transform the drab country into a land of color and unlimited prosperity.
In essence, the Witch of the East big business reduced the Woodman to a machine, a dehumanized worker who no longer feels, who has no heart. It will certainly be no surprise to anyone to hear that famous classic books such asThe Jungle, or Brave New World have a much more serious purpose than just pure entertainment.
These features of the story point to a more ambivalent result. Perhaps the best example was a widely-reprinted essay, first published in the Los Angeles Times inin which Michael A. Clanton explained as had Jensen that not all pro-Bryan silverites were Populists.
The Tin Man — the American industrial worker, who had been exploited and treated like just another piece of machinery by rich and powerful employers.
Second, the Celestial Kingdom was the only major nation still on the silver standard. Geoffrey Seeley recast the story as an exercise in treachery, suggesting the supposed "Good Witch Glinda " used an innocent, ignorant patsy Dorothy to overthrow both her own sister witch Witch of the West and the Wizard of Oz, leaving herself as undisputed master of all four corners of Oz: Dorothy's faithful dog represented the teetotaling Prohibitionists, an important part of the silverite coalition, and anyone familiar with the silverites' slogan "16 to 1"--that is, the ratio of sixteen ounces of silver to one ounce of gold--would have instantly recognized "Oz" as the abbreviation for "ounce.
Rockoff, who saw in The Wonderful Wizard of Oz "a sophisticated commentary on the political and economic debates of the Populist Era," discovered a surprising number of new analogies.
Baum and George Brooks. Oz — the abbreviation for ounce, which was significant because bimetallists wanted silver coined along with gold at a ratio of sixteen ounces of silver for each ounces of gold. This was many years ago, long before Oz came out of the clouds to rule over this land.
He implicitly qualified Littlefield by pointing out that not all pro-Bryan silverites were Populists. The beginning of his Saturday Pioneer editorial also seems sympathetic to Sitting Bull "He was an Indian with a white man's spirit of hatred and revenge for those who had wronged him and his.
Pledging support for American workers, he sought high tariffs to make foreign manufactured goods unattractive and he supported the gold standard.APUSH The Wonderful Wizard of Oz. STUDY. PLAY. Who was the author of the Wizard Of Oz? L. Frank Baum. When was it written. After the climax of the populist movement.
The allegory is second to. It as a children's story. the yellow brick road. But many may be surprised to learn that the most popular children’s fantasy of all-time, L. Frank Baum’s The Wizard of Oz, also has a deeper meaning.
This classic work of children’s fiction, which in the hundred-plus years since it was written has become perhaps the most familiar fictional story in the world, is in fact a sly political.
· Specifically, Littlefield argued that the story of The Wizard of Oz was an elaborate metaphor for the Populist movement (a rising political force in the s) and a critique of the complicated national debates over monetary policy. What made Littlefield's claim bold was its departure from common teachereducationexchange.com Political interpretations of The Wonderful Wizard of Oz include treatments of the modern fairy tale (written by L.
Frank Baum and first published in ) as an allegory or metaphor for the political, economic, and social events of America in the teachereducationexchange.com published: · In The Historian's Wizard of Oz: Reading L. Frank Baum's Classic as a Political and Monetary Allegory, Dighe concludes that the story "is almost certainly not a conscious Populist allegory," but, like Parker, he believes "the book works" as one (, 8)teachereducationexchange.com · (Baum, L.
Frank (Lyman Frank), The Wonderful Wizard of Oz, Special Collections, University of Virginia Library) In The Wizard of Oz, Baum teachereducationexchange.comDownload